Yiddish Film in the United States

by Sharon Pucker Rivo

In Jacob Kalich's film Ost und West (1923), Molly Picon played an American girl who, when not disguised as a hasidic boy, mistakenly marries a Talmudist, played by Kalich, eventually happily secularized. Viewing a restored version with Yiddish dubbing and sound effects added, a critic opined that "it breathes Jewish character, but does not satisfy… thank God… high literary expectations."
Courtesy of the American Jewish Historical Society.
In Brief

American Yiddish films captured the language, lifestyle, values, dreams, and myths of Yiddish culture, creating a haven for immigrant communities in New York City. Emerging in the early twentieth century, Yiddish film reached its “Golden Age” between 1936 and 1939, when more than two dozen films opened. Women played a significant role in Yiddish films, both as actors and characters depicted on screen. The most prevalent image of Jewish women to be presented in Yiddish films is the immigrant woman struggling to overcome the adversities. Celia Adler, Jennie Goldstein, Lili Liliana, and Berta Gersten were just a few of the women who became influential actors on the Yiddish screen. The height of Yiddish film was curtailed abruptly by the onset of World War II.

The Emergence of Yiddish Film

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Women in Yiddish Films

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Selected Yiddish Actors and Films

Prepared by Miriam Saul Krant

Abarbanel, Judith

Uncle Moses, 1932; The Cantor’s Son, 1937; Americaner Schadchen, 1940.

Adler, Celia

Where Is My Child, 1937.

Appel, Anna

Broken Hearts, 1926; The Eternal Prayer, 1929; The Holy Oath, 1937; Green Fields, 1937; The Singing Blacksmith, 1938.

Beverly, Helen

The Cantor’s Son, 1937; Green Fields, 1937; The Light Ahead, 1939; Overture to Glory, 1940.

Drute, Dina

Green Fields, 1937.

Gersten, Berta

Mirele Efros, 1939; God, Man and Devil, 1949.

Goldstein, Jennie

Two Sisters, 1938.

Halpern, Dina

The Dybbuk, 1937; The Vow, 1938.

Kressyn, Miriam

Sailor’s Sweetheart, 1930; Purimsphiler, 1937.

Liliana, Lili

The Dybbuk, 1937; Kol Nidre, 1939; Mazel Tov Yidden, 1941.

Picon, Molly

Das Judenmadel [The Jewish Girl], 1921; East and West, 1923; Yiddle with His Fiddle, 1936; Mamele, 1938.

Riselle, Miriam

Tevye, 1939; The Singing Blacksmith, 1938.

Weintraub, Rebecca

Tevye, 1939.

Weiss, Florence

The Cantor’s Son, 1937; The Singing Blacksmith, 1938; Overture to Glory, 1940.

Zwerling, Yetta

I Want to Be a Mother, 1937; I Want to Be a Boarder, 1937; Living Orphan, 1939; Kol Nidre, 1939; The Great Advisor, 1940; Motl the Operator, 1940; Jewish Melody, 1940; Her Second Mother, 1941; Mazel Tov Yidden, 1941

Bibliography

Hoberman, J. Bridge of Light: Yiddish Film Between Two Worlds (1995).

National Center for Jewish Film. Films, videotapes and files. Brandeis University, Waltham, Mass.

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How to cite this page

Rivo, Sharon Pucker. "Yiddish Film in the United States." Shalvi/Hyman Encyclopedia of Jewish Women. 20 March 2009. Jewish Women's Archive. (Viewed on June 13, 2026) <https://qa.jwa.org/encyclopedia/article/yiddish-film-in-united-states>.