Performing Arts

Marion Eugenie Bauer was a modernist and experimental composer whose musical scholarship advocated for women’s voices to be heard and revived interest in female composers. As a teacher, writer, and composer, she was actively involved in many music and composition organizations, frequently as the only woman in a leadership position. 

Singing her way through popular standards and performing imitations of Sophie Tucker, Al Jolson, Harry Richman, and Gypsy Rose Lee kept Barth employed on the vaudeville circuit through the 1930s and 1940s. The character of her act changed in the 1950s, when she began to mix her two talents—music and comedy—and added a splash of “red hot mama” for good measure.

Ora Bat Chaim is a poet, painter, and concert manager who in her late 50s began a prolific music composition career. Bat Chaim was the manager of the Zavit Theater and composed over 400 pieces for musicians, plays, and movie soundtracks. Her music can be described as a reflection of Jewish mysticism, yoga, and universal principles of truthfulness, compassion, and tolerance.

The daughter of a Chinese mother and a Russian Jewish father, Tatjana Barbakoff used her mixed heritage as inspiration for stunning and innovative dance performances. Her expressive technique entranced critics, while her costumes inspired dozens of painters and sculptors to capture her likeness. In 1944, she was killed in Auschwitz.

Barbara (Monique Andrée Serf) was a French singer and composer whose melancholy style rose to national significance. Born in Paris in 1930, after World War II Barbara studied music, rising to fame in the 1960s. Her Jewish identity and wartime experience as a child influenced her non-conformist persona as an artist, and through her song lyrics, she advocated for Franco-German reconciliation.

In Hungary, Zsófia Balla is considered one of the greatest women poets. Her lyricism is mixed with grotesque playfulness along with fragmented, ironic, prose-like sequences. Due to her outspoken and down-to-earth character, she plays a large role in shaping contemporary Hungarian literature.

Theda Bara was a film icon of sensuality and the exotic for generations. Bara’s magnetic performance in her debut film A Fool There Was made her an overnight success, and between 1915 and 1919 she starred in over forty films. Unfortunately, Bara’s dark exoticism was short-lived and she was passed over in favor of more “wholesome” starlets, but she remains a cinematic icon.

In a reverse of the usual sequence of events, Cora Eisenberg Baird started playing with dolls when she grew up and married puppeteer Bil Baird. They performed at the 1939 and 1940 World’s Fairs and in the 1941 Ziegfeld Follies. They created educational and public service films and founded the American Puppet Arts Council.

Lauren Bacall’s 1944 Hollywood debut in To Have and Have Not catapulted her into instant stardom. Costarring with her husband-to-be, Humphrey Bogart, Bacall soon became known for her smoldering look. Throughout her career, Bacall felt pressure to relinquish her Jewish identity but held a strong allegiance to her first-generation Jewish immigrant family.

The life of Ellen Auerbach was a constant journey of self-discovery. Auerbach was remarkable both for her avant-garde photography and for her innovative ringl+pit studio where she and fellow artist Grete Stern worked collaboratively. In addition to photography, Auerbach m,ade short films and worked as an educational therapist with learning-disabled children.

The first Jewish women, like the first Jewish men, arrived in Australia on the very first day of European settlement in 1788. Those convict pioneers were followed by free settlers who made Jewish communal and congregational life viable and helped to develop the vast continent. Jewish women have made significant contributions to Australia's national story.

The inclusion of feminism in Israeli art was seen as irrelevant in the 1970s, when Israel was seen as a state of gender equality. But in the following decades, amid vast changes in Israeli society, women worked hard to make themselves seen and have their stories told in the wider world of Israeli art.

Bea Arthur began and ended her illustrious career on the stage, with critically acclaimed roles in Fiddler on the Roof and Mame in the 1960s and a one-woman Broadway performance in the 2000s. But she became a feminist and gay icon with her Emmy-award-winning television situation comedies from the 1970s through the 1990s: All in the Family, Maude, and The Golden Girls.

After surviving the Holocaust and immigrating to Palestine, Yehudit Arnon played an influential role in shaping modern dance in Israel. In 1948 Arnon and her husband helped to smuggle more than 100 orphaned children to Palestine and settled in Kibbutz Ga'aton, where she founded the  Kibbutz Contemporary Dance Company. 

Eve Arnold was a groundbreaking photographer and writer,  known for photographing fashion in Harlem, the McCarthy hearings, the civil rights movement, and Marilyn Monroe, as well as life in China, England, and the Soviet Union. Arnold was the first American woman accepted into Magnum Photos and is credited with making a remarkable artistic contribution to twentieth-century photography.

Raised as a kibbutznik and taught that music was frivolous, Chaya Arbel only began pursuing a musical career in her forties, but she went on to become one of Israel’s great modern composers. She was active in music education for several decades and gained general recognition as a composer in her seventies.

Anna Appel was known for her performance of motherly characters in Yiddish and English roles and had a successful career in Yiddish vaudeville, film, and on Broadway. Appel had her big break in 1918 in Morris Schwartz’s popular Yiddish Art Theater; she performed there for ten years, before moving to Yiddish film. In 1928 she made her Broadway debut and performed until 1959. 

Israeli writer, actress, and filmmaker Gila Almagor’s acclaimed 1988 autobiographical film Summer of Aviya and its sequel Under the Domin Tree bought attention to post-Holocaust trauma and depression, which were often scorned by Israeli society. Almagor is also a founder of the Israeli Union of Performing Artists, the Tel Aviv International Film Festival, and the Gila Almagor Wishes Foundation.