Performing Arts

Estelle Liebling was a talented opera singer who performed at the Dresden Royal Opera House and the Metropolitan Opera and toured through the United States and Europe. She trained popular and Metropolitan Opera singers at her studio in New York for fifty years and wrote books on vocal training and compositions for piano and voice.

Bella Lewitzky, a maverick in the world of modern dance, distinguished herself as a preeminent performer, choreographer, artistic director, educator, public speaker, and civic activist. Defying norms that posited New York City as the center of American dance, she maintained the Lewitzky Dance Company in Los Angeles. She was known for two highly publicized encounters with the federal government and risking professional ostracism to stand upon principle.

Rosina Lhévinne was one the most noted pianists of the last century, though she dedicated the majority of her career to teaching and supporting the career of her husband. One of the last artists in the nineteenth-century Russian pianistic tradition, she taught some of the most famous musicians of the 20th century at The Julliard School in New York.

Sara Levi-Tanai was the founder, choreographer, and artistic director of the Inbal Dance Theater. With an original style, she established a unique dance theater that combined the East and West and the early history of the Nation of Israel with the present, as well as creating a new language of movement in the world of dance that is called “the Inbal language.”

From the silent movie era through 1960, Sonya Levien crafted over seventy films ranging from the 1939 Hunchback of Notre Dame to the screen adaptation of Oklahoma! Levien was one of Hollywood’s highest-paid and most highly sought screenwriters, known for her ability to adapt any story quickly and to fix an ailing script.

A prolific performer on stage and small screen, actor-singer Linda Lavin was a role model for many of America’s working women. While her Jewish heritage was not always the focus of her career, she powerfully portrayed Jewish women whenever the roles came her way—which they increasingly did.

Ruth Meckler Laredo was a phenomenal pianist, known for her renditions of Rachmaninoff’s piano works, her performances of Scriabin’s sonatas, her work as a teacher, and for pioneering the “Concerts with Commentary” event at the Metropolitan Museum of Art. Starting her performance career at age eleven, Laredo was honored as Musician of the Month by High Fidelity/Musical America and was nominated three times for a Grammy Award. 

Pearl Lang was the first dancer Martha Graham allowed to perform some of Graham’s own roles. She also brought elements of the ecstatic poetry and dance of Jewish traditions to her own praised work.

Isa Kremer (Belz, Bessarabia, 1887-Córdoba, Argentina, 1956) traveled the world performing art, folk, and classical music. She studied and sang opera in Italy but appeared as an art singer in Odessa, where she was the wife of Israel Heifetz, the editor of The Odessa News. Her great legacy is her Isa Kremer Sings Jewish Life in Song, a book and album of Jewish songs.

Lia Koenig is known as the First Lady of Israeli Yiddish Theater for her complex roles in world drama. After immigrating to Israel from Poland in 1961 with her husband Zevi Stolper, she began her legendary career at the Habimah theater. Koenig was awarded the Israel Prize, the Israel Theater Prize, and the EMET Prize. 

Margot Klausner was co-founder and president of Israel’s major film and television studio and co-manager of the Habima Theater. She was an author, film producer, founder of the Israeli Parapsychology Society, publisher of the monthly magazine Mysterious Worlds: A Journal of Parapsychology, and a popular public speaker on theater, film, and the occult in Israel.