Performing Arts

Born to a musical family, Lillian Fuchs was a talented pianist, violinist, violist, and composer who toured the United States and Europe. Fuchs was the inspiration for some of the greatest composers of the twentieth century and was a popular teacher at the Manhattan School of Music, Juilliard, and Mannes College of Music.

German-born Recha Freier founded Youth Aliyah in 1933, which assisted in sending Jewish European teenagers to Palestine prior to World War II to be trained as agricultural pioneers on kibbutzim. Although she was responsible for saving the lives of many thousands of Jewish youth, Freier’s efforts were not officially acknowledged until 1975, when she was eighty-three years old.

Jeanne Franko was a violinist and pianist who performed with her four siblings and had a solo career. After making her debut in Paris before she was fourteen, Franko went on to tour most of the United States with her siblings and later with the Jeanne Franko Trio, perform with many orchestras as a violin soloist, and teach music in New York. 

Despite an unhappy childhood, Helen Forrest achieved great success as a singer in several big bands. She was one of the first singers in the big band era whose vocals were featured throughout a full band arrangement, and one of the only women vocalists who had the courage to ask for individualized arrangements.

Mary Frank was a sculptor and painter inspired by dance, photography, and the moving body. Born in London, Frank immigrated to the United States in the 1940s and danced with Martha Graham and studied art at the American Art School in New York. Frank imparts a sense of the timelessness and her work, and her sculptures have been described as sensual, sublime, poetic and profoundly moving, placing her among the foremost figurative artists of our time. 

Vera Fonaroff was an extraordinary violinist and member of the all-female Olive Mead Quartet. Fonaroff immigrated to America from Kiev at age seven and debuted as a soloist with the Metropolitan Opera House Orchestra at age nine. She toured the world performing with the Olive Mead Quartet and as a soloist and eventually became the director of the violin at the New York Institute of Musical Art (now the Juilliard School).

Folk dances in Israel are a staple of the national and cultural consciousness and were largely created and performed by women. The halutzim's festival pageants, combined with dance traditions brought to Israel from the Diaspora, led to the creation of many beautiful folk dances. Today there are over three thousand Israeli folk dances.

The substantial success of many European Jewish women filmmakers attests to their abilities to preserve or imagine what was lost as a community. The films of those born in Central Europe are reflective of the Jewish experience of loss, outsider-ness, and memory; others explore courage and individual acts of resistance during World War II. Western European directors re-tell personal stories of friendship and betrayal in a historical context of Europe without its Jews. A strong body of work from North African-born filmmakers reflects the relationship between Arabs and Jews.

Humorous composer Sylvia Fine created unique and influential music in her partnership with Danny Kaye. Fine wrote over 100 songs for Kaye to perform, including the music for The Secret Life of Walter Mitty, The Inspector General, and On the Riviera. She taught musical comedy at the University of Southern California and Yale and made philanthropic contributions to universities and Jewish organizations.

Reportedly the first American theater actress to earn a three-figure salary, Rose Eytinge was praised for her fiery, passionate performances.  Known for taking on physically demanding roles, on a performance tour stop in Washington, she was invited to the White House by President Abraham Lincoln. In 1905 she published her autobiography, Memories of Rose Eytinge, detailing her life in theater.

Mary Jacqueline Fabian was a talented soprano who toured throughout the United States in Europe in the twentieth century. Fabian’s primary legacy to the arts lies not in her performances, her versatility on stage, or her popularity behind the microphone, but rather in her organizational skills and her unswerving conviction that opera and music education are not just for the elite.

The first American girl to publicly celebrate a bat mitzvah, Judith Kaplan Eisenstein went on to become a Jewish educator, composer, and musicologist. Her accomplishments included studying at the school that would later become Julliard, teaching at the Jewish Theological Seminary Teacher’s Institute, and writing a songbook for children.