Art

Katherine M. Cohen was a sculptor and artist dedicated to advocating for equality for women in the arts. Comfortably situated in the community of Philadelphia’s Jewish elite, Cohen created many commissions for the community reflecting Jewish themes and illustrated a Jewish children’s book. Cohen made a speech at the Chicago World’s Fair advocating for the support of artists, and specifically female artists.

Best remembered for her contribution to Jewish cultural life and for her unique ability to inspire those around her, Corinne Chochem had a distinct impact on Hebrew folk dance, both in her teaching and her two books, Palestine Dances (1941) and Jewish Holiday Dances (1948).

Hattie Carnegie was a leader in American fashion for three decades, designing clothes with a blend of simplicity and elegance. Carnegie’s work ranged from designing uniforms for the Women’s Army Corps to one-of-a-kind creations for clients like the Duchess of Windsor, Clare Booth Luce, Tallulah Bankhead, and Joan Crawford.

Anita Brookner was a British Jewish novelist and accomplished art historian known for her elegaic, gloomy novels depicting the bleak and disappointed lives of women. Receiving the Booker Prize in 1984 for Hotel du Lac, Brookner achieved international fame and recognition as one of the most accomplished writers of English fiction in the later twentieth century.

Brazil is home to the second largest Jewish community in South America. Jewish women played important roles in the absorption of Jewish immigrants from Europe, the Middle East, and North Africa, and also made important contributions to Brazilian intellectual and artistic life.

Fashion designer, publicist, entrepreneur, and sales representative, Claire Bodner, with virtually no formal training in fashion or business, developed and ran her own fashion business, Ducaire Timely Separates, in New York City from 1941 to 1949. The company was highly successful and was featured in top magazines and stores.

Florence Meyer Blumenthal, an extraordinary philanthropist and arts patron, organized her own arts foundation in Paris, and donated millions of dollars to established institutions and public charities in America and France. Blumenthal’s foundation funded hundreds of promising artists and allowed them to focus on pursuing their craft.

 Ilse Bing was known as the “Queen of the Leica” for her work in photojournalism, fashion, and advertising with this new camera, fast film, and darkroom techniques of polarization and cropping. Her work was highly influential in France in the 1930s when many émigré artists were energized by the cross fertilization of disciplines that contributed to modern photography.

Tina Blau was the only Jewish woman artist of her generation to be recognized by her peers. Blau made her artistic debut in 1867 and her paintings were included in the 1873 Viennese World Exhibition. In 1897 she co-founded the Wiener Frauenakademie, an art school for women, and taught there until 1915.

Photographer and photojournalist Eva Besnyö was born in Budapest in 1910. In the 1930s Besnyö moved to Berlin, where she quickly became successful with numerous exhibitions and commissions and spent time with politically engaged intellectuals and artists. Following the war, Besnyö was active in the Dolle-Mina feminist movement and was awarded the Dr. Erich Salomon Award for her life’s work.

In her short life, self-taught photographer Aenne Biermann made a profound impact on the arts as a major proponent of “new objectivity,” a rejection of romantic idealism in favor of practical engagement with the world. As a photographer, she explored nature, the quality of light, and precise structures. Her works were part of every major exhibition in Germany at the time.

Felicie Bernstein was one of the last Berlin salonnières, a patron of modern art and artists, and a philanthropist who supported early feminism.

Painter, printmaker, teacher, poet, celebrated raconteur, and art activist, Theresa Bernstein was an enduring fixture in the art worlds of New York and the summer colony at Gloucester, Massachusetts, for ninety years. Her paintings and prints are now in museums across the country, including the Metropolitan Museum of Art and the Smithsonian Institution.

Aline Bernstein was one of the first theatrical designers in New York to make sets and costumes entirely from scratch and craft moving sets. She designed sets for the Theatre Guild and various independent producers, winning numerous awards for her work, including a Tony for costume design for Regina in 1949. She later founded the Costume Museum and began writing fiction.

The Berlin salons that developed in the late eighteenth century owed both their existence and the form of their development to Jewish women. These salons have variously been criticized as a symptom of failing Jewish tradition or welcomed as a phenomenon of emancipation and acculturation. Regardless, their importance as highlights of the salon culture and for the process of women’s emancipation in Germany cannot be denied.