Art

Tatyana Grosman nurtured an entire generation of printmakers and raised printmaking in the United States to the status of major fine art. Universal Limited Art Editions, which she founded in 1957, published prints by many major American artists, and launched collaborative endeavors between artists and writers. Much of the press’s work was acquired by the Metropolitan Museum of Art.

Dora Gad (1912-2003) was a prominent Israeli architect and interior designer. In the early decades of Israel's statehood, Gad played a key role in designing projects for the newly established national institutions in Israel. In 1966, she received the Israel Prize in architecture, the first woman to have ever received this prize.

Gisèle Freund was a European intellectual and writer, a sociologist, a historian of photography, a socialist, a Jew, and one of the world’s greatest photographers.From her photographs of a rally in Berlin to her insightful portraits of Evita Perón, Freund captured the early twentieth century. In 1991, she was the first photographer honored with a retrospective at the Musée National d’art Moderne.

Helen Frankenthaler pioneered a new style of abstract expressionist painting that earned her the respect of the art world and inspired other artists. Her constant high achievement ranks her as one of the most important contributors to the history of postwar American painting.  Frankenthaler’s work has been exhibited in galleries and museums around the world.

Mary Frank was a sculptor and painter inspired by dance, photography, and the moving body. Born in London, Frank immigrated to the United States in the 1940s and danced with Martha Graham and studied art at the American Art School in New York. Frank imparts a sense of the timelessness and her work, and her sculptures have been described as sensual, sublime, poetic and profoundly moving, placing her among the foremost figurative artists of our time. 

Trude Fleischmann opened her studio at age 25, worked as a successful independent photographer through the Depression, and photographed some of the great artists, thinkers, and activists of her day, including Max Reinhardt, Eleanor Roosevelt, and Albert Einstein. Fleischmann regarded photography as a craft rather than an art, an attitude which also helped open the field to women.

Celia Dropkin’s sexually explicit poetry expanded possibilities for the depiction of relationships between men and women in modern Yiddish poetry. Throughout the 1920s and 1930s, her poems appeared in avant-garde Yiddish literary publications. Infused with erotic energy, the themes of Dropkin’s poetry – sex, love, and death – shocked her contemporaries.

Stella Drabkin was a talented painter and mosaicist who innovated new methods of printmaking. She is known for her experiments with multitype, a variation on monotype printing with layers of texture and color, creating mosaic panels on biblical themes, and creating prints with poems. Following her death, in 1972 the Art Alliance established the Stella Drabkin Memorial Award Fund in her honor. 

Friedl Dicker was an artist and educator who studied at the Bauhaus school then led art classes at Terezin.  In the ghetto, Dicker taught drawing to hundreds of children, designed sets and costumes for children’s performances, and made an exhibition of children’s drawings in a basement. She also created her own sketches, many of which were discovered in the 1980s.

Living a privileged existence in the wealthiest circles of German cultural society, Ida Dehmel became involved in circles of patronage of modern art that raised awareness for feminist issues, including women’s suffrage and equality for women’s artists’ associations. In 1916 she co-founded the Women’s Society for the Advancement of German Art.

Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer, and printmaker. She designed costumes for operas and ballets around Europe and created her own fashion design company. Deluanay was the first female artist to have a retrospective show of her work at the Louvre in 1964.

Lucille Corcos was celebrated as one of the foremost “modern primitivist” painters in America, creating revealing composite urban scenes. Corcos was widely praised for her lack of self-consciousness and complete freedom of expression, and she exhibited works throughout the United States and Europe.

Claribel Cone was well known in her time for being a dignified and highly independent woman with two passions: medical research and collecting art and artifacts. She is immortalized in drawings by French modernists Pablo Picasso and Henri Matisse and in Gertrude Stein’s essay “Two Women.”