Performing Arts

We all deal with the misconceptions of other people about our passions. For me, those misconceptions repeatedly touch on my identity as a Jewish feminist dancer. Now when I mean feminist, I do not mean the stereotypical kind that burn bras in trash cans, but rather somebody who thinks equal empowerment is morally correct. Being a teenage girl, I believe girls like me should, and have the right to, feel empowered. Which brings me to my passions for dance and Judaism—the two things that have always allowed me to feel strong.

There is nothing I love more than seeing a gorgeous fellow redhead featured on the big screen, except perhaps for watching a Pixar movie. There is no fictional character I identify with more than Princess Merida from Pixar’s Brave. But I was not at all surprised when Disney “Disneyfied” Merida with sparkles and a “sexier” new body. I was not surprised by the controversy that followed, either, and neither should anyone else have been. That controversy had been bubbling under the surface from the moment Pixar Animation Studios announced they were making a movie with a female protagonist; by taking thirteen feature films to even have a female protagonist, they had guaranteed themselves a gargantuan amount of trouble to please their anxious audience.

I’m bracing myself for the inevitable storm of essays about Neshama Carlebach’s choice and what it says about Orthodoxy. It’s easy to read her decision to “make aliyah” to Reform Judaism as a triumph of the liberal values and inclusivity of the Reform Movement over the ingrained sexism of Orthodoxy. But the truth is that both movements are struggling with how to include women and a wider range of voices.

We continue looking at pop culture and role models with this post from one of our Rising Voices Fellows. Be sure to check the JWA blog each Tuesday for a new post from our fellows—and check out the great educational resources provided by our partner organization, Prozdor.

I wouldn’t call it “pop,” but it certainly is a culture. Some even push dance to a way of life: dance, eat, breathe, sleep. We dance fanatics live in our own little universe, striving to achieve goals that would just seem alien to other teenagers. Not many teenage girls prepare for their summer fun by strenuously hand-sewing ribbons and elastics on their pink satin pointe shoes...

When my family wanted to go see Frozen, Disney’s newest animated feature, over Thanksgiving weekend, I went along only grudgingly. Judging from the trailers and the product placement I had seen around my local drugstores, all I could tell about Frozen was that it would involve a princess and a wisecracking snowman cavorting across a wintry landscape. Nothing too memorable or extraordinary, I figured.

Happily, I was wrong.

I cannot walk out of my house (or open my laptop) without being bombarded with suggestions for Hanukkah (this year, often Thanksgivukkah) merchandise. (Ironically, I am simultaneously presented with ads for “Catching Fire” themed goods, in contrast to the movie’s message.) The Hanukkah narrative has the power to be subversive; it is a story of a minority making themselves heard, of an oppressed group claiming their rights. When those of us who are privileged to be able to buy gifts (and menurkeys) focus on the commercial elements of the holiday at the expense of the holiday’s story, we create a bubble like the Capitol. Hanukkah should be a call to remind us that we should be the districts, not the Capitol; our power should be channeled into fighting injustice, not simply consuming what is provided to us.

Editors note: If you haven’t read The Hunger Games (or seen the movies), you’ll be safe from any major spoilers in this post from one of our Rising Voices Fellows. Be sure to check the JWA blog each Tuesday for a new post from our fellows—and check out the great educational resources provided by our partner organization, Prozdor.

Esther Broner, or E.M. as she was known, was a Jewish feminist, prolific author, professor, and pioneer of the feminist  movement. Known for re-imagining traditional Jewish customs and rituals, she co-wrote The Women’s Haggadah, which encouraged women to devise their own version of traditional rituals.

It turns out that “Jewish Funny” has become evidence-based. Results from the recent Pew Study “Portrait of Jewish Americans,” four in 10 of the 5.3 million religious and cultural Jews surveyed consider a sense of humor essential to Jewish identity. Having a sense of humor is part of our communications and value system. It’s as if we have a framework for which we see the world that lets us find and enjoy the irony of life’s complications. I don’t think it’s a coincidence that the words “irony” and “oy” both have an “o” and a “y”.

I’ve been listening to Eydie sing today, particularly a standout performance of a song from the 1966 musical Mame.  I dare you to listen to her sing “If He Walked Into My Life” here and not feel the expressive pull, the regret, the heartache as she hits every dramatic emotional nuance of this difficult song.  Not only is she technically right on the money, she nails it with aplomb and finish.  Listen to it, and I guarantee you’ll feel what Steve Lawrence felt about her: “I fell in love with her the moment I saw her and even more the first time I heard her sing.  While my personal loss is unimaginable, the world has lost one of the greatest pop vocalists of all time.” 

The young actors learn about each other’s cultures (through a Passover seder, Spanish lessons, and more) while learning about themselves. I am constantly amazed by the power of theatre, even after experiencing it personally throughout my education. Watching Liz Swados and her production team interact with the teens reminded me of all the incredible teachers and directors I had the pleasure of working with in high school and college. Theatre gave me self-confidence and taught me the importance of community, and it’s clear that the teens involved in Sosúa learned the same.  This fascinating movie provides great insight into the magic of theater as well as into a little known aspect of Shoah history.