Performing Arts

I grew up singing. My family sang songs every holiday, and we even listened to fun Jewish family songs in the car. My favorite part of Hebrew School every week was when we got to sing, and I looked forward to coming home and serenading my parents with the latest song that I had learned. 

I’ve grown up in the epitome of a noisy Jewish household. For me, a large part of the Jewish cultural experience consists of rapid-fire Shabbos dinner debates that leave you with a sore throat and a full stomach. 

Over Boston’s long winter, I shared Shabbat dinner with a friend-of-a-friend who, unbeknownst to me, is a talented poet and playwright. In addition to winning a Massachusetts Cultural Council Artist Fellowship this spring, Cecelia Raker’s play dry bones rising made its first full-length, professional debut in May at the Venus Theatre in Laurel, MD.

Anne Meara was a Jewess with an attitude. She was born in Brooklyn on September 20, 1929, raised as a Catholic, and died as a Jew in Manhattan on May 23, 2015. Meara studied drama and although she never intended to be a comedian, that’s how she will be remembered by most audiences. What made Meara truly unique was that she exuded her Irish ethnicity while simultaneously taking on the mantle of Jewish wife and mother.

Jewish women are having a moment. At the end of 2014, Flavorwire published an article entitled “2014 Was—Secretly—The Year of the Jewish Woman.” It profiled Jewish women who made news in culture in the past year: Abbi Glazer and Ilana Jacobson of the Comedy Central show Broad City, Jill Soloway, the writer of the groundbreaking show Transparent,  and Jenny Slate, the comedian who starred in the romantic comedy Obvious Child, among others. 

We need to pay strict attention to what messages we get from the media and how those messages perpetuate violence and misogyny. Violent and offensive lyrics, such as those in “Animals,” glorify and romanticize sexualized violence, causing distorted views on healthy relationships. Objectification and violence toward women can too easily become mainstream when popular celebrities endorse this behavior.

When I was younger, I used to love watching Hannah Montana on television. The lead character, played by Miley Cyrus, lived a double life as pop sensation Hannah Montana. Cyrus had so many fans, so many young not-yet-teenagers who looked up to her. I remember going to see her in concert when I was in fourth grade. It was one of the highlights of my year. 

In the film industry, 2011 was the year of casual sex. In January, Paramount Pictures released No Strings Attached, starring Ashton Kutcher and Natalie Portman. The movie documents two best friends who think that introducing physical intimacy into their relationship won’t complicate things and that feelings will not be involved, resulting in a “no strings attached” relationship.

Directed and written by the sister-brother team of Ronit and Shlomi Elkabetz and based partly on their own family history, this gripping courtroom drama set in Israel traces a Moroccan Jewish woman's effort to obtain a gett, or religious divorce, after years of a loveless marriage. In Israel, there is neither civil marriage nor civil divorce; only Orthodox rabbis can legalize a union or its dissolution, which is only possible with the husband’s full consent.

Through her blues music, Holmes inspired people all over America to take a stand for black equality. She performed at numerous rallies, advocating for civil rights for all; in fact, her music is often called the “soundtrack of the Civil Rights movement.”