Fiction

Her writing apprenticeship began when she was 27 years old and the mother of three small children. She and [her husband] Harry made a pact to squeeze at least an hour out of every day to write. Frequently, this was at four o’clock in the morning

[H]er protagonists come from the variable Jewish life of New York. ... these women are assimilated but concerned with utilizing the morals of the Jewish past and its prophetic ethic—a concern for justice and dignity.

Ruth Brin was an essential part of the fabric of Minnesota's Jewish community, teaching classes on immigrant literature, American Jewish writers and Judaism at the University of Minnesota and Macalester, shaping the Jewish arts scene with contributions of time, energy and critical funding, writing book reviews . . . up until her death, and raising distinguished and engaged children. . .

A prolific writer, Sylvia Rothchild has used both fiction and nonfiction to explore the complex interactions of American and Jewish cultures and identities among the descendants of Jews who arrived in the United States during the great wave of eastern European immigration in the decades surrounding the turn of the twentieth century.

By the time she left England in 1933 to try her fortune in America, [Sheilah] had earned a modest reputation as a freelance journalist. She had also written two unsuccessful novels, a credential that allowed her to bluff her way into jobs as a New York staff reporter, getting scoops and writing eye-catching features such as 'Who Cheats Most in Marriage?' a breezy inventory of the men of Western nations.

My mother, I came to realize, wanted to obliterate the barrier between love and sexuality. I was not shocked or shamed to encounter that carnal side of her. The mother I knew during my lifetime was a beautiful and vain woman, one who resisted having a mastectomy for breast cancer because she could not bear to be, as she put it, 'mutilated' and 'disfigured.' Her allure was part of her life-force, something inextricably tied to her passions for intellectual growth and artistic expression.

Savina reclaimed the stories of Sarah and Hagar through her writing, and through her life. Like Sarah, Savina went forth into new lands, without maps or mentors to guide her. Like Sarah and Hagar, Savina lived in a patriarchal world, challenging that world with her choices and her clarity about the work she was called to complete….

But even more, even more than I admired the stories, which was a lot, I admired Grace Paley's activism and her moral courage.

A daughter of immigrants and a working mother starved for time to write, Tillie Olsen drew from her personal experiences to create a small but influential body of work.