Art

Content type
Collection
"Judith Slaying Holofernes" by Artemisia Gentileschi, circa 1614-20 (cropped).

Loving Judith

Justine Orlovsky-Schnitzler

Gentileschi’s rendition of Judith is a self-portrait—allowing her to wield a sword and take revenge, if only in fantasy. Judith Slaying Holofernes was the first piece of feminist art that really moved me. Even now, I get chills when I view it. I thought a lot about Judith this week, after dusting off my menorah and dutifully buying candles and gelt.

To All the Boys I've Loved Before

The Fashion of "To All the Boys I've Loved Before"

Rebecca Long
This summer, no movie captured our hearts like Netflix's To All the Boys I’ve Loved Before. Rafaella Rabinovich, the costume designer responsible for film's iconic looks, discusses the most popular outfits from the movie and the importance of representation in film.
Market at Minho by Sonia Delaunay, 1915

The Art of Gender Representation

Sofia Heller

The words to SZA’s “Drew Barrymore” ring in my ears as I write this; the song serves as an anthem for the teen angst and insecurities I’ve been feeling since I got home from school today. Feeling lonely, feeling like I’m not living up to the standard of female beauty: SZA articulates the thoughts that have been running through my mind.

Topics: Painting, Music
"TALIT"

A Fringe of Her Own: An Interview with Tamar Paley

Judith Rosenbaum

If women had a say in the creation of these ritual objects, how would they look and feel? I began by trying to figure out how women around me today are experiencing their spirituality. And as a jewelry designer, I was also thinking about how this material feels on the body, where it is worn ...

Pathways to Freedom Kiosk

Passover, Freedom, and Public Art: An Interview with Julia Vogl

Judith Rosenbaum

Artist Julia Vogl travels the world, transforming public spaces into works of art that reflect the shared experiences of the local community while embuing those spaces with strikingly vibrant color and patterns.

Olga Shmuylovich

An artist whose work is rooted in Jewish identity, Olga Shmuylovich spent the first part of her life trying unsuccessfully to emigrate from the Soviet Union, until finally resettling in Boston with her husband, also an artist, in 1992.

Man Wearing Native American Headdress

Inappropriate Appropriation

Sofia Heller

My classmates started posting pictures from last year’s Coachella, their excitement for the music festival illuminating my phone screen. However, amidst all the elation, I couldn’t help but notice the troubling cultural appropriation that also filled the pictures. In the backgrounds of nearly every photo I saw, there were young women wearing bindis and feathered headdresses, and young men wearing war paint. Unfortunately, this insensitivity to and misappropriation of cultures is not specific to Coachella, nor is it a new problem in fashion.

Julia Clardy's Legs

Wearing the Pants, and the Dress as Well

Julia Clardy

When I showed a girl in my class the prom dress I was thinking about buying, the first thing she asked me was whether or not I was going to shave for prom. Her question wasn’t really that surprising. People often associate body hair with uncleanliness, and they don’t expect it to appear in formal situations. The fact is, people only question me about my body hair when I’m wearing something more traditionally feminine. When I’m wearing shorts and a t-shirt people rarely look twice at my legs or armpits, but when I’m wearing a dress, people consistently double-take. When it comes to how other people see me, it seems that my casual clothes and body hair make more sense together than my more feminine clothes and body hair.

Portrait of Elisa Klapheck by Marlis Glaser

Painting Courage and Painting History

Abby Richmond

Marlis Glaser, a German artist, grew up in rural Germany, not knowing any Jews or her father’s previous involvement with the Nazi party. Glaser was introduced to a German Jewish woman who had survived the Holocaust. Now, Glaser has shaped her art around Judaism, and recently converted. Her colorful work includes hundreds of portraits of Holocaust survivors, their families, and other Jewish figures throughout history.

Topics: Painting
Gloria Steinem and Linda Stein, Suited Up (cropped)

Diving into the Wreck with Linda Stein

Bella Book

Imagine my surprise when I encountered the equivalent of an androgynous rubber suit embodied in the sculpture of artist/activist Linda Stein. Unlike Rich’s suit, which is confined to the page, Stein’s art is tangible. In fact, some of these sculptures are wearable.

Delegates at the First National Conference for Women (1977), by Diana Mara Henry

Photographic Memory: On Being the Official Photographer of the First National Women's Conference

Diana Mara Henry

When, in 1977, Abzug and Senator Patsy Mink called for a national women’s conference, I foresaw that being hired to photograph the First National Women’s Conference as official photographer might be the most historic assignment of my lifetime.

Rising Voices Fellow Daniella Shear in Fourth Grade

An Open Letter to Phyllis Lambert

Daniella Shear

I have wanted to be an architect for as long as I can remember. What started as pretending that my doll and I were real estate agents and playing with Legos and other types of blocks (I had them all), turned into a dream for my future. I don’t know when I started saying that I wanted to be an architect; what I do know is that I’m still saying it today. 

Vivian Maier

Although Vivian Maier’s exceptional photographs came to light only after her death, she is now celebrated as a visionary self-taught street photographer.

Edith Head

Edith Head’s brilliant eye for design earned her a record eight Oscars for Best Costume Design for movies that included Roman Holiday (1954) and The Sting (1974).

Janet Indick

Janet Suslak Indick incorporates Jewish themes and inspiration from the natural world into her sculptures and medallions.
"The Liberation of G-D Proclamation," by Helene Aylon, 1990-1996

Helène Aylon: Rescuing G-d from the Patriarchy

Peri Levin

As far as I was concerned, religion was a conservative cult, and Abrahamic faiths didn’t seem to be interested in powerful women expressing themselves. I recently discovered Helène Aylon, an artist whose projects and story bring these struggles of faith and feminism into focus.

"The Three Musicians" Sculpture by Sam Cashwan

Art and America-A Letter to Senator Rob Portman

Tess Kelly

When things get tough, art is usually one of the first things to suffer, but today, I’m asking you to vote in favor of allocating funding for the arts in the federal budget this year.  

Episode 15: A Day at the Met with the Mixed-Up Files

Beloved children’s book From the Mixed-Up Files of Mrs. Basil E. Frankweiler turns 50 this year. E.L. Konigsburg’s best-selling novel tells the story of two suburban children who run away to New York’s Metropolitan Museum of Art. To celebrate the book’s anniversary—and to gear up for summer reading—Can We Talk? took two ten-year-old girls to the Met for an official tour retracing Claudia and Jamie Kincaid’s week in the museum. Tune in to join us on the tour and to hear an interview with Konigsburg’s daughter and a conversation with the girls about why the proper yet rebellious Claudia Kincaid still resonates with today’s young readers.

Linda Stein

In crafting sculptures that incorporate concepts of weaponry, armor, and the female form, Linda Stein has found new ways to consider issues of power, violence, and protection.
Kylie Jenner

King Kylie’s Kloset

Eden Olsberg

There’s nothing wrong with making a lot of money. Honestly, I admire Jenner and her family for building up their empire from scratch, and becoming a modern-day royal family. And, as Kylie is only about two years older than me, I can only dream of what it would be like to be so successful at such a young age. However, I think what shows a lot about a person’s character is how they use their money. 

2016-2017 Rising Voices Fellow Aliza Abusch-Magder in Kindergarten

What Not To Wear: Where I Learned That People Judge Me For How I Look

Aliza Abusch-Magder

I’ve realized that the show’s one-dimensional view of identity is objectifying. Segments on the show include “How to Hide Your Tummy,” or “How to Create Curves.” At one point I heard those things and thought they were trying to be helpful. At second glance, these “how tos” project a single image of beauty, an image of beauty that has a big bust and a tight tummy. 

Dressing Room

A Call for Inclusion on the Catwalk

Hannah Himmelgreen

For the longest time, mirrors were my sworn enemy. Dressing rooms were the battlegrounds of a war between comfort and confidence, and my body was caught in the middle of it. On some days, every curve I had was subject to thorough self-scrutiny. Stomachs had to be sucked in, and spandex was a girl’s best friend. 

Hari Nef

Hari Nef, the first trans woman model to be signed to the prestigious IMG modeling agency, has used her public platform to speak out on issues that affect other transgender people.

Ivanka Trump

A longtime aide to her father and executive vice president of his company, Ivanka Trump is poised to become the most influential first daughter since Alice Roosevelt Longworth.

Heidi Zak

In creating her company Thirdlove, Heidi Zak completely reimagined women’s bras and the process of shopping for them.

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