Art

Aline Kominsky-Crumb was a pioneer of the autobiographical comics genre and a leading figure in the feminist underground comics movement. Her career as a cartoonist began in 1972, when she joined the Wimmen’s Comix collective in San Francisco and published her first comic Goldie. A Neurotic Women. She went on to author, publish and co-edit several books and magazines, including the comics anthology Love That Bunch (1990), and the graphic Memoir Need More Love (2007).

Sionah Tagger was one of the earliest modern Israeli women artists to have been born in Erez Israel. She played an important part in the development of modern painting there in the 1920s and 1930s and was among the first members of Israel’s Association of Painters and Sculptors and a regular participant in its exhibitions.

Vienna-born, Budapest-trained painter Judy Cassab, a survivor of the Holocaust, arrived in Australia in 1951. She became one of the country’s best-known and best-loved artists, primarily for her portraits but also for her depictions of Australia’s bright interior.

Elaine Lobl Konigsburg is best remembered from her many beloved children’s novels, including The Mixed-Up Files of Mrs. Basil E. Frankweiler, Jennifer, Hecate, Macbeth, William McKinley and Me, Elizbeth, and The View from Saturday. Her novels and her characters reflect the angst of growing up in a middle-class world and finding your way, no matter where you come from.

Starting in the 1970s, Nan Goldin used her camera to document her own life and that of her friends, her alternative family. Her pictures revealed intimacy and violence, love and abuse, sexuality and addiction, in the downtown punk scene of New York in the 1980s, a world subsequently devastated by AIDS. She adopted a slide show format to be a mirror to her friends, and ended up mirroring their lives to the outside world.

Multi-disciplinary artist, curator, and art consultant Vered Nissim was born in Israel to Iraqi immigrant parents. She identifies as a Mizrahi feminist; her art revolves around her gender, ethnic, and class identities, and she aims to give voice to marginalized women in Israeli society.

Shula Keshet is an Israeli Mizrahi feminist activist, an artist, and a curator. Her activism strives for justice for underprivileged women and men in Israel; as a Mizrahi feminist artist and curator, she has created several exhibitions.

The only female member of the founding group of photorealists, New York-born painter and sculptor Audrey Flack is especially recognized for the feminine content in her art. Her feminist sensibilities manifest in both her pioneering paintings, which often consider stereotypes of womanhood, and her sculptures, frequently depicting goddesses and other strong female figures. Flack’s work appears in prominent collections around the world.

The history of Jewish women’s comics and graphic novels can be traced back to early and mid-20th-century progenitors. With the underground comics scene of the late 1960s/early 1970s, several Jewish women laid the groundwork for the themes, styles, and communal ties that would be taken up by the post-underground. In the 21^st century, the works of Jewish women in comics and graphic novels is booming.

Mirta Kupferminc (b.1955) is an internationally recognized contemporary Argentine Jewish artist. For the past four decades, she has explored memory, culture, history, and language, in a variety of art media.

Sarah Rodrigues Brandon (1798-1828) was born poor, enslaved, and Christian on the island of Barbados. By the time of her death thirty years later she was one of the wealthiest Jews in New York and her family were leaders in Congregation Shearith Israel. This entry explains Sarah’s life journey and highlights how her story relates to that of other women of mixed African and Jewish ancestry in early America.

London-born Marti Friedlander migrated to New Zealand in 1958. She became one of the country’s most outstanding and influential photographers in portraiture, photo-journalism, photo-books, and “street” photography. Her photographs still live vigorous public lives in exhibitions, books, and periodicals published after her death.