"Ruptured" Explores Australian-Jewish Experience As Antisemitism Grows

Image courtesy of Tamar Paluch.

Is there anything more Jewish than writing our stories into the fabric of history? Arguably, one of the most significant markers of the Jewish people is our longstanding dependence on words and their intergenerational transmission. It comes as no surprise then that Jewish literature has long embraced anthologies, a genre described by historian David Stern as “simultaneously ancient, medieval, and modern.” 

During times that have felt biblical in proportions, medieval in horror, and dystopian all at once, at least seven post-October 7 anthologies have emerged in blind tandem across the world. Ruptured: Jewish Women in Australia Reflect on Life Post-October 7, edited by Lee Kofman and me, is the first to tell the stories of these disorienting times through a distinctly female lens.

For many Jewish women, the sexual crimes of October 7 in particular—and the deafening silence that followed—struck a primal chord, reverberating in deeply personal and existential ways. Soon after the massacre and kidnappings by Hamas, the voices of justification, and even denial, sounded loud. In Australia, they morphed into an especially virulent strain of antisemitism, which culminated in the doxxing of 600 Jewish creatives and academics in early 2024. There was a gendered angle to this attack, too. Some of the more ferocious hate was orchestrated by prominent feminist influencers. For those of us who believed our feminist battles were won, or who grew up in an Australia where being Jewish and Australian felt like a blessing, this reality was shattering. And so, we embarked on the task of reclaiming our voices.

In May 2024, a grassroots group of women, in partnership with the Lamm Jewish Library of Australia, invited women from across Australia to share personal essays reflecting on life in the wake of October 7. Under the banner “Write for your heart, write for the future,” we sought to help women process the shifting reality we were living in and document this critical chapter in history, in real-time. Our goal was two-fold: to create an unpublished manuscript for the National Library of Israel October 7 Archive (which was submitted with close to 160 essays), and to curate a collection which would be made available to the broader public, as a window into the lived experience of our times.

The 36 essays that are featured in Ruptured, published in August 2025, tell the stories before the bullets at Bondi Beach. Anti-Jewish hatred kept growing while we were working on selecting and editing the essays for this collection. By mid-2024, the frontline had shifted from social media, and weekly anti-Israel protests and university encampments were becoming increasingly brazen and inflammatory. Words escalated to menacing graffiti, fire bombings, and arson, and this pattern of violence culminated in the December 2025 massacre of fifteen people at a communal Chanukkah celebration.

And so Ruptured captures the chilling trajectory of how words—and normalized hate across public and personal spheres—became tinder for violence. The stories capture the immense sense of dislocation experienced by Australian Jews, and the unravelling of our sense of security and communal safety. Some refer to incidents that made headlines, like the infamous doxxing episode, while others share accounts of bullying and harassment in creative spaces. But many of the essays reflect on the quiet struggles of everyday life, where the mundane acts of going to work, sending kids to school, or attending university have become weighted with fear and grief. 

While the source of these stories is in darkness, they strive for light. Alongside themes of angst and heartbreak emerge themes of hope, resilience, and creativity. As editors, we asked our contributors to show up fully on the page rather than seek redemptive arcs. Instead, we compiled the essays in such a way that would optimize the reading experience—ensuring moments of light and uplift among the more difficult stories.

In our introduction, we write that speaking and writing as a Jew has become a dangerous act. Indeed, our considerations around creating and promoting the book reflected that reality. Several high-profile women who were approached to contribute essays declined, citing professional concerns, and there were women who chose to withdraw their essays for fear of recriminations, where the circles they operate in were too small to afford them safety. 

Other editorial considerations included using a multi-layered editorial approach to ensure that the pieces were sound from a literary perspective, as well as ensuring that the language could not be easily taken out of context or misrepresented. These considerations were directly tied to the volatile environment we were operating in at the time. It should be noted that the horror at Bondi has, to some extent, forced the Australian government and the broader community to reckon with the reality that was stewing for such a long time, and the feelings of silence and abandonment that are key themes in the book. To this end, we will be submitting Ruptured to the unfolding Royal Commission on Antisemitism and Social Cohesion, which was formed in the wake of Bondi. In this sense, Ruptured has also become a timely piece of evidence—capturing our stories, and also the spirit of the women-led activism that emerged among Jewish Australian women these past two and a half years.

Creating Ruptured was also a way to seek repair. Jewish women have shared how they felt seen and heard when reading Ruptured, and that it has helped them open conversations with friends and peers from beyond our community. Readers beyond our community have reached out to share how the book has helped them understand Jewish lived experience and even identify their own blind spots and knowledge gaps. While we have received some contempt, as to be expected, this has not characterised the book’s reception, affirming to us that many Australians do want to listen, learn, and seek nuance. Feeling less alone in a scary reality, as individuals and as a community, is restorative, and so this act of repair and dialogue is an important outcome for us. We hope that Ruptured can enable conversations that don't require political agreement but make room for empathy and humanization.

Ruptured is more than a tapestry of Jewish women's voices, woven together to pierce the silence that we have experienced as individuals and as a collective. It is an act of resistance and reclamation. While it tells the Australian story, global readers will see themselves on these pages—and we hope it will inspire them to write and share their own stories too. 

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How to cite this page

Paluch, Tamar. ""Ruptured" Explores Australian-Jewish Experience As Antisemitism Grows." 14 April 2026. Jewish Women's Archive. (Viewed on June 13, 2026) <https://qa.jwa.org/blog/ruptured-explores-australian-jewish-experience-antisemitism-grows>.