Education

Award-winning cultural anthropologist Ruth Behar has conducted groundbreaking research in Spain, Mexico, and her native Cuba. Her innovations in cultural representation have transformed ethnographic writing and reached a broad, non-academic audience through her film, poetry, personal essays, and young adult fiction.

Anthropologist Riv-Ellen Prell initiated ethnographic study of ordinary American Jews that paid attention to religion, gender, ritual, and cultural performance. Her work addresses the primacy of gender in twentieth-century Jewish life and looks at economic and power relations often expressed through negative stereotypes of Jewish women.

Julie Eichberg Rosewald was America’s first woman cantor. Known as the “Cantor Soprano” at Temple Emanu-El in San Francisco, she served between 1884 and 1893. Rosewald enjoyed a brilliantly successful career in opera as well as being a composer, author, teacher, and professor of music.

Debra R. Kaufman has been a central voice in sociology, feminist studies, and Jewish Studies for over four decades. Her scholarship has spanned topics such as the role of women in Orthodox Judaism, post-Holocaust Jewish identity narratives, and contemporary American Jewish identity.

Berta Wainstein de Gerchunoff was an Argentine socialist, feminist, and later Zionist leader. As President of the Argentine branch of WIZO, she led an exponential growth of women’s Zionist commitments all over Latin America.

The first woman to receive a PhD in Talmud, Judith Hauptman has made significant contributions to the academic study of the origins and development of the works of the “canon” of rabbinic literature of Late Antiquity. A second prominent focus of both Hauptman’s scholarly and other work has been Jewish feminism and the status of women in rabbinic and related literature, particularly exemplified in her best-known work, Rereading the Rabbis: A Woman’s Voice.

Ladino or Judeo-Spanish Sephardic songs are primarily a women’s repertoire. The two main traditions are that of northern Morocco and the Eastern Mediterranean, primarily today’s Turkey, Greece, the Balkans.

Emma Mordecai (1812-1906) navigated direct challenges to her Jewish faith and to her southern ideals by remaining loyal to both. She responded to the Civil War, which stirred antisemitism in the South and especially threatened Richmonders, with renewed commitments to Judaism and to the racist ideals of the Confederacy.

Advancing Women Professionals and the Jewish Community (AWP) was founded by Shifra Bronznick in 2001 as an intervention “to advance Jewish women into leadership, stimulate new models of shared leadership, and promote policies for healthy, effective workplaces.” Over fifteen years, AWP conducted groundbreaking research and adapted strategies from other sectors that engaged women and men in decisive, systems-based change.

Barbara Kirshenblatt-Gimblett is an American folklorist who is a scholar of Jewish cultures of Eastern Europe, North America, and Israel, museums, heritage, and tourism, as well as a curator of exhibits and documentarian. She is Chief Curator of the core exhibit of the POLIN Museum of Jewish history in Warsaw.

Kate Bornstein is a pathbreaking transgender lesbian activist, theorist, and performance artist. She is known for tackling social ills and personal pain with joyful optimism.

A versatile performer, scholar, administrator, and activist who worked in the fields of Yiddish culture, Jewish music, social justice, and feminism, Adrienne Cooper inspired international audiences with her compelling performances and nurtured a generation of musicians, academics, and advocates.

The rezadeiras, prayer-women, began to play an important role in crypto-Jewish practice after the late fifteenth-century Expulsions from Spain and then Portugal forced anyone who wanted to live as a Jew to do so in secret.  

Karen Gerson Sarhon, founder and vocalist of the Sephardic music group Los Pasharos Sefaradis, is coordinator of the Sephardic Culture Research Center in Istanbul, Turkey, and chief editor of El Amaneser, the world's only newspaper wholly in Judeo-Spanish/Ladino. She continues to produce innovative projects for the preservation and promotion of Sephardic culture and language.

In the Hebrew Bible and ancient Jewish literature, most warriors are men. However, a few women go to war or kill: Deborah, Jael, the unnamed woman of Thebez, and Judith.

Avivah Gottlieb Zornberg is a highly regarded Torah scholar and author. Her complex interpretive lens is both contemporary, in drawing from literary sources, philosophy, and psychoanalytic theory, and very traditional, in reading the Bible through the lens of classic commentaries and rabbinic midrash.

“Daughter Zion” or “Fair Zion” (in Hebrew bat tzion) is the personification of Jerusalem in poetic and prophetic literature. Initially, the city is positively likened to a daughter, protected under God’s special regard, but later, under the Babylonian siege, she is devastated, even ravaged. However, when Jerusalem is rebuilt, the daughter is forsaken no longer, returning to God’s grace in the prophecies of consolation.

Women who ministered at the entrance of the Tabernacle gathered around to donate their copper mirrors (Exodus 38:8), which were then smelted down to make the basin where the priests would wash before entering the sanctuary. The women may have served as guards, warding off evil with their mirrors. Midrash, however, conjectures that the women used these mirrors to seduce their husbands in Egypt, raising up the hosts of Israelites.

The Hebrew Bible tells six stories of barren women: three of the four matriarchs (Sarah, Rebekah, and Rachel); the unnamed wife of Manoah/mother of Samson; Hannah, the mother of the prophet Samuel; and the Shunnamite woman, an acolyte of the prophet Elisha.  Each woman suffers a period of infertility, in some cases exacerbated by the presence of a fertile, though less beloved, rival wife. Eventually, God intervenes and the woman conceives, but the beloved son is then dedicated back to God, either in service or in sacrifice.

The story of the rape of Tamar, the daughter of King David, by Amnon, her half-brother (2 Samuel 13) is told in the wake of the king’s sins of adultery and murder. Tamar’s is the only woman’s voice in the Bible to be heard in resistance to rape, though she is ultimately silenced by her full brother, Absalom. He murders Amnon in vengeance and stages an insurrection against the king, his father, while she lives the rest of her life forlorn in Absalom’s house.