Since spending the 2020-2021 academic year on a gap year in Israel, I have excused myself from the joy of Lag Ba’Omer, and instead, I honor Jewish unity.
The Jewish-American literary canon is not only dismissive of women but hostile to them, and this is insidious and damaging to the narrative we tell as Jews and women.
When I look at my American Jewish identity, I find that news from the Jewish community, and in particular, the Jewish feminist movement, continue to be underrepresented and under-publicized.
JWA's CEO Judith Rosenbaum reflects on a recent screening of Are You There God? It's Me, Margaret, the film adaptation of Judy Blume's groundbreaking novel.
These fun movies from the early 2000s are still watched frequently as they are thought to be timeless classics, but the awkward and problematic comments have yet to be addressed.
Just as the it-girls online promised, working through my issues by connecting to a feminine God works, even if it is extremely different than what they envisioned.
Grammatical gender in Hebrew fosters a culture of exclusion and denies people safety and belonging in our religious spaces. It's time for that to change.
JWA talks to Susan Chevlowe, curator of a new exhibition of photographs by Jill Freedman that documents the destruction and resurgence of Jewish life after the Holocaust.
In Liana Finck's exploration of the kabbalistic concept of Tsimtsum, the idea of God's contraction as a means of creation, I find the beginnings of a Jewish feminist future.
The “Heart to Heart Songbook” is a powerful event that centers Jewish women and sparks difficult and essential conversations about how we view ourselves, others, and our short time on this planet.